Haruka walked through the springtime city alongside Aiko, their footsteps echoing off stone slabs that had witnessed thousands of walks before. The air was clear, yet pungent, as if it held a reminder of something that could not be spoken aloud. "Did you see Keiko this morning?" Haruka leaned toward Aiko, her voice, which would otherwise have delivered kind greetings, now thin and venomous. "She dresses as if she were still young, but she's not anymore. She's ridiculous." Aiko, accustomed to Haruka's sharp remarks, laughed uncertainly and shrugged, but a gentle plea to stop flashed in her eyes. "Maybe she's just trying to feel good," she said hesitantly, without stopping, looking ahead at the light mist rising from the old gate. Haruka sneered, the sneer brief but sharp. "No, she's trying to be someone she'll never be," she whispered, her words sinking into the spring day like drops of ink. "She thinks that if she wears expensive clothes, people will admire her, but everyone is laughing at her." Aiko hesitated. "Haruko..." Haruka, enjoying the feeling of power her words gave her, continued, recounting the story of the teahouse where Keiko sat alone, looking around as if waiting for an invitation that never came, pretending to be important. "It's embarrassing," she concluded in a tone that brooked no argument. At that moment, a silver fox flashed through the alley. Kitsune, quiet and steady that day, paused in the inhabited landscape of passing people. No one looked back, but Haruka felt a cold breeze, as if something had lightly brushed her neck. Aiko didn't notice anything, adjusted her kimono sleeve, and nodded to the rhythm of her steps. Haruka sipped on the word "ridiculous" and walked on, unaware that a story other than the one her tongue was telling had begun to weave its way into her path.
In the evening, when Haruka entered her house, where the tatami mats smelled of straw and the wood framed the silence, she felt a strange tremor in her chest and throat, as if a small cold flame had lit up in her throat. In the corner of the room stood a fox, its fur glistening, its eyes deep and calm. Haruka froze. "For your slander," Kitsune said in a voice that could not be heard with the ears, but directly in the heart, "you will never speak again." Haruka wanted to scream, she took a breath, but in an instant her face changed. Her mouth disappeared like washed-away sand, and in its place appeared something foreign, a huge, colorful toucan's beak, heavy, alive, with a smooth sheen and an unrelenting presence. Haruka made a hollow sound, like wood knocking inside an empty space. Her thoughts scattered like sparrows startled in a garden. What's happening, what's happening, what's happening. She ran to the mirror, her hands in front of her, and when she stopped, the mirror did not reflect the woman she knew; it showed her Haruka with a huge toucan beak. "No... no... it can't be," she whispered to herself, pulling the words out of herself like water, while her hands desperately tugged at the beak. She tried to tear it off, but it was firmly attached to her face, to her skeleton, to the whole story, which now had a different shape. Tears streamed down her cheeks, dripping onto the tatami mat, and a single plea ran through her head: Please make it go away, please make it go away, please. She sat down on her heels in the room, staring at her beak, and tried to control it for the first time. She turned her head, opened it, and it sounded hollow in the joint, a strange crunch, a mechanism that did not belong to a human being. She stuck out her tongue and found that it was not a human tongue; it was a bird's, massive, long, clumsy, half a living burden, half a tool, with a different memory of movement. This is my new life, she asked herself in an inner whisper, how am I supposed to live like this, how am I supposed to say anything like this when I'll never speak again.
She put on her coat, slipped on her shoes, and went outside because the silence inside was unbearable. The springtime city was full of people who stopped when they saw her. They stole glances, whispered, children hid behind their mothers, some pressed their hands to their mouths, others bowed mechanically, as if apologizing for what they saw. People parted before her as if she were dangerous, as if her presence asserted something they did not dare to say. Haruka felt her cheeks flush with shame. I'm still me, I'm still me, I'm still me, she repeated to herself, but her steps slowed, her shoulders slumped, and her head could not hide in the heavy curve of her beak. The situation repeated itself in the hospital corridor, even more intensely, because the world of white walls and blue curtains is a world of rules and diagnoses. Nurses, patients, everyone looked at her and stepped back. Haruka sat down in the waiting room, bowed her head so she wouldn't see, and tried to breathe slowly, as she had been taught in yoga. The nurse called her into the office, her tone gentle but tense. Haruka took out a piece of paper and, with a trembling hand, wrote a plea that was the last remnant of hope: Please, take away my beak. Dr. Saitō, an experienced and calm man, approached and examined her face. He looked inside her beak, examined her tongue and larynx, raised the light, was silent for a moment, and then said calmly, so that the words would not fall and break: I'm sorry, but that's not possible. Your anatomy has changed. You have a huge tongue and a bird's larynx. If I removed the beak, you wouldn't be able to eat at all. You would have a huge hole instead of a face. You wouldn't be able to speak anyway. It's difficult this way, but you'll learn with time. At that moment, something snapped inside Haruka. She began to scream without a voice, her body screaming, her hands trying to tear off the beak, her fingers trying to find a fragile spot that didn't exist. No, no, no, I don't want this, I don't want this, I don't want this. The doctor grabbed her shoulders, holding her firmly but gently at the same time. Calm down. Please. You have to accept it. The word "accept" seemed like a mountain that had fallen on her chest.
She walked through the city from the hospital, people were looking again, but she no longer noticed them, she stared into the void in front of her, tears streaming down her face, her steps heavy, as if she were walking in mud. At home, she tried to eat. She took a bite, but found that she had to tilt her head back for the food to fall into her esophagus. Accept gravity as a tool. So this is how I will eat, like a bird, she thought desperately, each bite an exercise in patience and humility. She washed her beak in the bathtub, water running down its colorful surface, watching the drops run down black, yellow, blue, the world reappearing differently in that small surface. It's part of me, she thought, and for the first time, that sentence tried to warm the back of her neck. She tossed and turned in bed, her beak getting in the way, pressing against her, preventing her from falling asleep. She changed pillows, changed positions, but nothing helped. Finally, exhausted, she fell asleep in the position her body found on its own, as if it had learned a new key.
In the morning, she woke up and yawned with her huge beak, the sound strange and hollow, and only then did she realize she still had it. It wasn't over, it would never be over, she said to herself, and the sentence was no longer a cry, but a statement with the shape of metal. She folded the futon and put it in the closet, the beak getting in her way, she had to calculate its arc, its space, its center of gravity. In the bathroom, she held a toothbrush in her hand out of habit, and only then did she realize she no longer had teeth. She burst into tears, the toothbrush hanging in her hand like a relic of a life that had ended. I don't have teeth, I'll never brush them again, she said to herself, and moved on, because the morning is relentless. She prepared breakfast, turned on the rice cooker, set the bowl, and when she sat down, she ate and swallowed like a bird, tilting her head back, teaching her body a new gesture. She massaged her cervical spine, which ached from carrying a beak over a meter long and from having to tilt her head back when swallowing. She felt a fiery rope in her throat that needed to be loosened every day. My whole neck hurts, but I have to endure it, she said to herself, and in that "I have to" there was peace. She practiced yoga in the garden, placing her palms on stones, raising her arms to the cherry blossoms, her beak swinging, hindering her breathing, yet she learned to listen to the rhythm of her body, which had changed. She ran around the house in the springtime, the cherry blossoms were blooming, petals fell on her beak, and for the first time she smiled slightly inside, because the petals were soft and their touch was not judgmental. She worked at the computer, her beak got in the way, she couldn't see the keyboard through it, she had to hold the monitor too far from her eyes, and she sighed desperately. I can't work like this, she said to herself, and in that sigh there was no surrender, but a new beginning of searching.
It was winter, it was snowing, three quarters of a year had passed. The beak became part of every day, it became a burden, but also a source of certainty. Haruka got used to the beak. So did those around her. She walked through the snowy city, her eyes darting to the hot tea counters, people greeting her, bowing, she greeting them, occasionally her beak making a quiet sound that became part of the background noise of winter. She met a handsome man named Ren, his eyes calm and curious, but not pryingly cruel. He invited her to a restaurant, his voice gentle, normal, without a trace of pity, and that struck Haruka the most. Why is he interested in a woman with a beak, she asked herself, walking beside him as the snow fell quietly on their jackets. In the restaurant, Ren flirted with her and seduced her, but not in a flashy way, rather patiently and with the rhythm of normal gestures, as if her beak were not an exception but a decoration of the place. Your beak, he told her, is a beautiful, colorful jewel that adorns you and that you will never take off. Haruka looked at him, and something that had been dormant for a long time stirred in her chest. He really likes her beak. She was flattered that someone saw her as beautiful despite her disability, and the feeling spread through her body like hot tea through cold fingers. He talks as if that beak were a jewel, not a punishment, she thought, and for the first time she felt that punishment could also carry a new kind of light.
Ren accompanied her to the front of the house, and it was snowing, the flakes falling on her beak and turning into silent water. He said goodbye, a simple thank you, a gentle bow, and left. Haruka entered her house, closed the door, and pressed her back against it. She looked in love. She took off her coat and touched her beak with her hand, as if asking it if it was really an ornament. It was spring again, the cherry trees were in bloom, and the two of them were walking through the cherry grove. Haruka walked beside Ren and felt that this time the spring wind was not intrusive, but caressing. He invited her to his home, and she agreed without hesitation because his voice was confident and simple. At his home, Ren put an engagement ring on her finger and asked for her hand in marriage. She was happy. They made love long and passionately, their bodies found each other, their touches learned new paths around the beak, nothing was impossible, just different. They had a wedding, traditional, quiet, realistic, without exaggerated gestures, and when they sat together watching TV, she rested her head on his shoulder, he stroked her beak and kissed her hair. At that moment, she said to herself: I am happy. Even with this beak. And in that "even" there was no exception, but part of the whole that had become her life.
You can find a video of the whole story on my website:
https://evanesanataha.rf.gd/?id=16
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